Super Smash Bros./Gameplay

Basic gameplay
To an absolute beginner, this is an incredibly confusing game. Though the controller and control interface are relatively simple, this game can still be very difficult to understand. This is mostly because of the innovative fighting style mentioned above, but beyond that there are 4 main things you must learn to master this game.

First, you will need a sense of timing. Timing and speed are ESSENTIAL in SSB64. A hesitation of a tenth of a second can mean the difference between getting a kill and losing a stock, and all the advanced techniques require that you be able to time button-presses precisely. The better you can time your movements, the faster your character will become and the faster your character becomes the better you'll be able to combo and therefore win.

Secondly, you need to develop good pattern-recognition. If you can see your opponent's moves before he/she makes them, you can't lose. Even better, if you can get in your opponent's head and make them do the things that you want them to, they'll play worse and your victory will be much easier to attain.

Thirdly, you must have a crew. To get good, you must play with people at and around your skill level, so pull together a group of friends and get them interested in the game. However, if you are the best in the group and are constantly winning, you are learning nothing. The same moves work over and over ad infinitum, and your opponents are learning from trying new ways to counter your moves. A Smash crew must get better as a unit or the whole crew suffers. This means that if you learn something new you have to share it with your crew members so that you can start getting experience playing with it and against it. Only through playing with others will you get good enough to compete.

Finally, and most importantly, you have to love the game. You simply will not be able to gain the requisite experience to play well if you play only for the sake of winning. Love the game and enjoy playing it, and you'll get better quickly.

Let's start with the basics.

The Controller
The Nintendo 64 controller is an unconventionally designed and technically revolutionary device, considered by some to be superior to all current console controllers. Fitting the hand very well, its well-spaced buttons (A, B, C-pad, D-pad, R, L, and Z) allow for much control versatility. For Super Smash Brothers, The D-pad (cross on left prong of controller) is unused, so your left hand should hold the center prong, thumb on the control stick and forefinger on the Z button (trigger on middle prong). Your right should hold the right prong, thumb near the A and B buttons, and forefinger on the R-button (shoulder button on right prong). Every other button except for the D-pad is functional in this game, though it can be played effectively with just the stick and the A, B, and Z buttons.

Movement
Movement in Super Smash Brothers is accomplished through use of the control stick located on the middle prong of the controller. Tilting this stick to the right makes your character move right, left makes him/her move left, etc. The stick is sensitive to pressure, so pushing it hard to the right or left will make your character run in that direction, while tilting it will make them walk, and there are even different walking speeds, depending on stick pressure. Pressing down on the stick will cause your character to crouch, and if you are atop a platform that is not the main platform of the level, tapping the control stick down will cause your character to drop through.

Jumping
Jumping is an integral part of SSB64 as jumps literally add a whole new dimension to the gameplay. There are 3 main types of jumps that you need to know.


 * Full-Jump: This is the simplest jump. To perform it, simply stand on the ground and either tap your control stick up or push one of the C-buttons.   Your character will jump off of the ground and then fall back down.


 * Shorthop: A very important type of jump that will speed up your game immensely. To shorthop, you must quickly tap one of the C-buttons while standing on the ground.  The amount of time the button is pressed is what matters, not the force with which you press it.  When correctly performed, your character should jump a fraction of their full jump height off of the ground.  (Hint: To see the difference between a full-jump and a shorthop, stand under a platform and see where you jump in relation to it)


 * Double-Jump (AKA Second Jump): There is only one type of double-jump. This is performed in mid-air.  All characters except Kirby and Jigglypuff have only one midair jump, while these two characters each have five.  Any time your character is in midair, whether after jumping, falling, or being hit off of the platform, they have the chance to jump in mid-air.  Once you use up your midair jump(s), you don't get them back unless you are thrown or you touch the level!

Edge-Recoveries
After playing this game a few times, you will notice that when you come back from being thrown off of the stage, sometimes you don't make it all the way back onto the ledge, but you end up grabbing the edge and hanging from it. Landing on the edge like this is a necessary strategic part of competitive play, as you are invincible for a few seconds and it provides you with new ways to return to the stage. From the edge, there are a few ways to get up. Firstly, you can tap the control stick up, and your character will simply clamber up onto the ledge and stand there. Secondly, you can tap the Z-button, and your character will climb up and roll a certain distance before standing up. Also, you can hit an attack button (A, B, or R) and you will attack as you climb back up. These three recoveries are executed quickly at damage percentages below 100%, but are clumsy and slow when you are at higher damage, as your character has been weakened. The final thing you can do is to tap the control stick away from the edge (letting go) and then double-jump back onto the stage attacking in order to defend yourself while recovering. However, attacking while falling past the edge is a bad idea: if your attack animation executes during the window where your character can grab the edge then he/she doesn't and it's lights out. Careful use of edge recoveries can make you much more difficult to kill, but don't become predictable, or you're as good as dead. Remember, the only way to die is to be knocked off of the stage, so if you can consistently get back to the stage, you'll be very successful.

Getting Back Up
If you get hit with a powerful enough attack (or you have high damage and get hit with ANY attack), you will be lifted into the air and will fall down, either on your stomach or on your back (prostrate or supine, for you English majors out there). Once here, there are a couple ways to regain your feet and control of your character. Firstly, you can tap the Z-button, and your character will simply stand up, and you are invincible as you do so). Tilting your stick left or right will cause your character to roll in that direction and then stand up.  Finally, hitting an attack button will make your character attack as they stand up.  There is a certain attack for on your back, and one for on your stomach, but only two (it doesn’t matter what attack button you press).  Use these interchangably to avoid being predicted and hit again.

Attacks
Now that you can move about, it's time to get down to the reason why you are here. There are many theories as to who hit whom first, or what feuds developed into this intra-Nintendo war, but the purpose is clear. You are here to knock your pitiful opponent out of the arena. This arena is, in essence, just a great big box. Off of the fighting platform there is a certain distance of free air where you can maneuver to come back to the stage; however, this ends at a certain distance from the stage, where there are the KO barriers. There are two KO walls, one KO ceiling, and a KO floor. If you pass over these boundaries, you die, and are respawned with one less life. Therefore, to defeat your opponent, you must get them over these boundaries. To do this, you will need to get their damage percentage up to a lethal level (usually around 80% - 100%). Everyone starts off with 0% damage, and as you get hit, this percentage increases. With each increase in damage, there is a subsequent (exponential, I believe) increase in the distance that you fly when hit by a certain attack. Therefore, the higher damage they are, the easier it is to kill them. However, in order to do all of this complicated stuff, you need to learn how to bring the pain to your opponent.

Before we begin, let's talk about some basic Smash nomenclature. There is a large following around this game, as well as its sequel (and soon even another is coming out), and as is American nature, we get tired of speaking full-length terms. So, the names of these attacks have been shortened in a very logical way. The way you do it is to put the first letter of the direction of the attack (Front, Back, Up, and Down) in front of the type of attack (tilt, smash, or air). Therefore, a forward smash would become an "fsmash" and a back aerial would become a "bair".

There are two attack buttons, A and B. Their uses are multifaceted, and mastering all of them is necessary to become a Smash Master.

A-attacks
A-attacks are attacks that are performed through use of the A-button. Although beginners usually shun these in favor of powerful, cool-looking B-attacks, masters end up using these attacks to an incredible degree. These are your character's basic physical attacks (punches, kicks, head butts, etc.), and there are many types.

This attack occurs when your character is simply standing in place and you hit the A-button. If you hit it repeatedly, it will hit them multiple times with different small attacks. Though not really a very useful move, it can act as a disruption to the opponent (it will knock them back a little ways) so that you can escape.
 * Jab:

When your character is running, and you hit the A-button, your character will perform a dash attack. Usually, this involves your character dropping his/her head or shoulder and slamming it into their opponent, sliding to a stop in the process. Compared to other attacks, the cool-down time is a little excessive as compared to the knock-back, and they are relatively easy to avoid, so I rarely use them, but I have seen them used as part of a combo to pretty good effect.
 * Dash Attack:

To do a tilt move, you must lean the control stick lightly in any of the four main directions and hit the A-button at the same time. For utilts (up tilts, remember?) you must be very careful not to stick-jump, or you will lose the chance to tilt-attack. There are three tilts, a utilt, dtilt, and ftilt (tilting in the opposite direction that your character is facing will simply cause them to turn around and execute the tilt in the new direction). These attacks are inherently more powerful than the neutral-a, but weak enough that they knock the enemy back just far enough so that you can press the attack.. They are also generally quick, which makes them perfect for high-damage combos.
 * Tilts:

Smashes are generally a character's killing move. Though slower in execution than tilts, on the whole, they are a great deal more powerful, allowing for the unlucky opponent to be sent through a KO barrier. As with tilts, there are 3 smashes, usmash, dmash, and fsmash. To execute a smash attack, smash your control stick hard in the direction you want the attack to go and hit the A-button at the same time. If you are having trouble with these, try smashing the stick just the slightest moment before hitting the A-button, and it should become easier. If used openly, these attacks are easily evaded by any Smash player worth their salt. Therefore, you use other moves to set your opponent up for the smash (tilts are great for this), so that even if they see it coming, they can't avoid it.
 * Smashes:

Aerials, not surprisingly, involve jumping your character into the air and pushing the A-button. There are 5 aerials, nair (neutral, no stick), uair, dair, fair, and bair (stick in the direction opposite the one your character is facing). Stick pressure comes into effect here as well, for if you smash your stick over to attack in the air, your character will being drifting in that direction when attacking; however, if you tilt it slightly or tap it quickly, your character will attack without changing course. Aerials are very versatile attacks, and combined with tilts they make up 90% of effective combos.
 * Aerials:

B-attacks
These are your character's "special attacks". B-attacks are incredibly varied in their relative speeds, power, and applications, so the notes below are sparse. To see more in-depth coverage of these moves, see the In-depth character guides.

To do this attack, just hit the B-button without any stick movement.
 * Neutral-B:

Simple enough. Stick up and B-button. This move, in all but two characters (Yoshi and Jigglypuff) acts as a recovery move. By recovery move, I mean that doing this move acts to get you closer to the edge so that you can successfully recover when with just your jumps you could not. This has caused many smashers to refer to it as a "third jump".
 * Up-B:

Just lean the stick down and hit B.
 * Down-B:

Throws
Remember when I said that there were only two attack buttons? Well, there are, if you're just looking to physically hit your opponent. However, attacks performed solely with the A and B buttons can be blocked with a character's shield (more on this in Defensive Moves). The only attack that can get through this shield is a throw. There are two ways to throw someone. You have to be right next to them, and facing them to grab them (though Ness can somehow grab people behind him on rare circumstances, as the only character who uses psychic powers instead of his hands to grab). Everybody's grabbing range is different, with Donkey Kong's being the longest. Once you are in range, you can either press the R-button (the shoulder button on the right prong), or the Z (trigger on middle prong) and A buttons simultaneously. For future reference, pressing the R-button at any time does the same thing as pressing Z and A.

Once you have grabbed them, you can either push the stick forward (or hit the R-button again) or you can push the stick in the other direction. There are two different throws for each character, one forward (fthrow), and one back (bthrow).

You will be unable to move while grabbing someone, with the exception of Donkey Kong who can move around with the enemy on his back after the first part of his fthrow.

Defensive maneuvers
Okay, so now you know how to hurt your opponent. Now all you have to do is learn how to keep from being hurt yourself, because if you don't get hit, there is a low probability that you will lose. There are three basic ways to avoid taking damage: blocking, rolling and action blocking.

Blocking
This is a very simple concept. Hitting the Z-button brings up a spherical colored shield that surrounds your character, protecting him/her from all attacks that touch it, with the exception of throws. This shield concept makes a lot more sense than does blocking in your average Street Fighter style game, where Chun-Li can block a Hadoken from Ryu by just putting her forearm in front of her face. Anyway, you have a shield that surrounds your character that will stay as long as you hold the Z-button. However, as time elapses, the shield will slowly shrink, so you can’t just stand there with your shield up. Secondly, damage to the shield causes it to shrink faster, so your opponent can beat at the shield in order to open up a piece of your body to hit around the shield (hitting your unprotected body while you have the shield up will knock the shield down). By gently tilting the control stick, the shield can be moved to cover different parts of your body, but if allowed to get too small, it will eventually break, leaving your character dazed and senseless (in Jigglypuff’s case, breaking her shield sends her sky-high for no particular reason). So, you will eventually want to let go of that shield. However, when you are attacked, you are stunned for a moment and cannot release your shield. The more powerful the attack, the longer the stunned period. AND the shield is not infallible; even when it is at full strength, people can still throw you out of it. So, don’t depend on your shield overmuch, but it is still a very useful defensive technique.

Rolling
While you were practicing moving your shield about, you may have noticed that pushing the stick too hard to either side would cause your character to roll, and lose the shield. Rolling is an important maneuver, especially because when you roll, attacks pass right through you. To roll, tap Z and then push the stick to either the left or the right. Some characters roll faster than others, and the pattern seems to be that the more suitably you are shaped for rolling (the spherical Kirby and Jigglypuff, Samus in her Morph Ball, etc.) the slower you seem to be able to roll. Luigi has one of the best rolls in the game, but he’s a green-capped, lanky plumber. Hey, I never said that this game would make any sense. However, learn to use your rolls effectively for, though you will learn more efficient evasive tactics later, many players have trouble keeping up with you when you are rolling.

Action Blocking
The third overall logical defensive strategy, after blocking the attack or getting out of the way, is to cancel it out with one of your own. This is "action blocking." This technique can be used to cancel out another fighter's attack, by just using another attack of your own. Certain (B) attacks can only be nullified by another attack of the same type. To cancel out another fighter's attack, the hitboxes of the two attacks must come in contact and the two attacks have to be around the same power level. For example, a jab will not stop a falcon punch.

Don't rely on action blocking your opponent's attacks continually, as it cancels out both of your attacks so none of you do any damage. Because of this, the main use for action blocking is approaching a projectile character. For example, if you're playing against Mario, you can stop his fireballs with an attack while moving towards him so that you can approach without being damaged or stunned.

Interrupting an attack is not the same as action blocking an attack. In this case, the hitbox of your attack hits your opponent's body hitbox instead of their attack hitbox. This means that their attack doesn't connect but yours does.